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- <text id=89TT2391>
- <title>
- Sep. 11, 1989: The Cruelty Of Genius
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Sep. 11, 1989 The Lonely War:Drugs
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 82
- The Cruelty Of Genius
- </hdr><body>
- <p>By R.Z. Sheppard
- </p>
- <qt> <l>LORD BYRON'S DOCTOR</l>
- <l>by Paul West</l>
- <l>Doubleday; 277 pages; $19.95</l>
- </qt>
- <p> Doubleday assures editors and reviewers that Lord Byron's
- Doctor is Paul West's "most accessible novel to date." What
- does this suggest about the writer's previous work? That it is
- less accessible, or even impenetrable? With a publisher like
- that, who needs critics? Far better to have readers willing to
- discover for themselves that, if anything, West, 59, is one of
- the most vigorous and inviting literary talents still punching
- away in semiobscurity. West wants to bowl over his audience and
- usually does, in virtuoso performances like Alley Jaggers, Bela
- Lugosi's White Christmas and The Very Rich Hours of Count von
- Stauffenberg, the last a fictionalization of the failed 1944
- plot by German officers to assassinate Hitler.
- </p>
- <p> The author's twelfth novel is an equally successful
- imagining of a historical event, the 1816 European tour of
- Romanticism's Rolling Stones, George Gordon (Lord Byron) and
- Percy Bysshe Shelley. Their entourage had its own claim to
- notoriety. Shelley's wife Mary was the daughter of the radical
- philosopher William Godwin and Mary Wollstonecraft, author of
- the basic feminist text Vindication of the Rights of Woman.
- Mary, 18, would soon write Frankenstein. Her step-sister and an
- intimate of both Byron's and Shelley's, Claire Clairmont, was
- also part of the group, which swapped stories and much more at
- a rented villa overlooking Switzerland's Lake Leman.
- </p>
- <p> Lesser known but indispensable to West's enterprise was
- John William Polidori, a young physician traveling as the
- club-footed Byron's secretary and medical adviser. He also had
- a (pounds)500 commission from a London publisher to report on
- the poet's adventures. Impatient for death's sting, Polidori was
- 25 when he drank a fatal concoction of opium, arsenic and
- prussic acid in 1821. His journal was eventually published, but
- not before his sister removed the naughty parts.
- </p>
- <p> West puts them back, or rather reconceives and embellishes
- them in his fecund imagination. One of his accomplishments is
- Polidori's "lyrical forensic way" of describing the crippled
- Byron: "Lord B.'s habitual gait was more of a rapid, sliding
- slither than anything, and I had noticed how quickly he entered
- a room, almost at the run, as if simulating precipitate
- eagerness . . . Out of doors he had none of the indolent lounge,
- both languid and effete, of the fashionable flaneur, but rather
- a lubricated-looking traipse, exactly what you would expect of
- someone trying to walk on just the toes and balls of his feet."
- </p>
- <p> Through Polidori, West compiles a lurid case history on the
- cruelty of genius. Shelley may have been "polite to God and
- pious towards women," but Byron was arrogant about both. His
- disdain toward lesser literary figures was godlike, and his
- venery demonic. "The sexes were all one to him," notes Polidori,
- "the main thing being to spend and thus clear the mind for
- matters more important: the next canto, the new play."
- </p>
- <p> Romanticism and egoism normally go hand in hand. Here they
- are passionately entwined. Rocking and rolling in Byron's
- carriage, sailing through storms, discussing the uses of opium
- or exchanging ghost stories at the Villa Diodati, the group is
- principally concerned with who will be favored by the muse. Even
- Polidori is bitten by the literary bug or, in his case, bat. His
- story The Vampyre is inspired by an idea of Byron's, thus
- suggesting that His Lordship has power to damn with a pathetic
- immortality.
- </p>
- <p> West concludes that Polidori killed himself because of
- disappointment: to be an artist was to be fully alive, but not
- to make the grade was a living death. His friend Mary Shelley
- succeeded with Frankenstein. Subtitled "The Modern Prometheus,"
- the gothic classic comes alive by galvanizing the divine and the
- tragic in human nature. In its own way so does West's tour de
- force -- a grand tour sparked by an irresistible force.
- </p>
-
- </body></article>
- </text>
-
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